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Why Purpose Pitches make Off Speed Better

Posted on April 16, 2013 by Stephen Stemle | 0 comments

The fastball at the 7 or 8 will prevent the hitter from keeping their front-side in on off-speed pitches, making it more difficult to track off speed pitches down and away. Purpose Pitches will also open up a bigger percentage of the outer Go Zone on ensuing fastballs. 

When you command fastballs in the Purpose Zones, you will be more likely to get away with a mediocre curveball in the middle of the plate because the hitter is seeing two pitches coming out of the same slot during the first half of the balls flight. The same slot refers to the numbers 7 or 8 that a bigger curveball starts to break during the ball’s flight before ending in the Go Zone. When you follow a Purpose Pitch with a pitch away from the hitter, it is much harder to hit.

If you can't execute fastballs up in the Purpose Zones, the hitter can recognize the curveball earlier because of the height of the pitch. If hitters aren't seeing fastballs in the 7 or 8 Zones, they can eliminate any other pitch in that slot and recognize the pitch earlier. Therefore, fastballs at the numbers 7 and 8 will make all pitches away harder to hit because the hitter has to respect the fact that you will throw a fastball inside off the plate. 

When a left-handed pitcher throws a fastball hard and inside to a right-handed batter, it becomes much harder for the hitter to adjust to the change-up on the outer-half of the Go Zone and vice versa with a righty pitching to a lefty. What is the opposite of a hard inside fastball?  It’s an off-speed pitch away. Changing speeds and locations will disrupt the hitter’s timing more often than not.

 

 

 

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Recognize Breaking Ball Movement

Posted on April 16, 2013 by Stephen Stemle | 0 comments

When commanding the breaking ball in the Go Zone it's very important for you to recognize how much it you're breaking ball moves. Some pitchers have a tighter, shorter break compared to the bigger, slower break of others.  Once you become familiar with the movement of your curveball, you can determine where you need to aim the ball for it to end up in a Go or Chase Zone. 


For bigger breaking balls like a slow curve to hit the Go Zone, aim those pitches at the arm-side 7 or 8 Purpose Zone.  Start these pitches outside of the strike-zone and let them break back to the Go Zone.  For a smaller breaking ball like a slider to end in the Go Zone, start the pitch in an arm-side 9 or 10 Freeze Zone.

 

 

 

Strikeout breaking balls that end up in a Chase Zone or Under the 4 Zone should look like a strike to the hitter when they are making the decision to swing.

They should generally start in an arm side Freeze Zone and break to a Chase Zone or off after the batter has started to swing.  This means you will generally aim in the Danger Zone for bigger breaking balls to break to the Chase Zones or Under.  Aim the shorter breaking ball somewhere in the Go Zone to get the desired break towards a Chase Zone or Under. 

 

 

 

 

 

 

 

 

 

 

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Change Up

Posted on April 16, 2013 by Stephen Stemle | 0 comments

After learning to command the fastball in all three sections of the Go Zone with the two and four seam fastballs, it's now time to work on the change-up in the Go Zone. We have included the change-up grip that has proven most successful among pitchers we've taught. 

The change-up grip is a loose grip without any of your palm touching the ball.  It's a feel pitch. It takes touch, almost like a basketball shot. You can't have a basketball in your palm with tight fingers gripping the ball and expect to drain a 15-foot baseline jumper. Hold the ball softly with your fingers and use touch so you can get the shooters roll.  It's the same concept with a change-up. 

Hold the change-up with your middle and ring fingers with or across the seams. Your thumb is directly under the ball between your middle and ring finger. The index finger and pinky are resting on each side. Try to always keep the pinky above the height of the index finger on the other side.  This will keep your change-up from cutting like a curveball. 

Create backspin on the pitch to promote vertical downhill movement rather than flat horizontal movement. If you imagine a straight line from the middle of the rubber through the middle of the plate, and concentrate on taking your hand down through that line before release, it will create good backspin and vertical movement on your change-up. 

There are three parts of deception to a good change up, fastball arm-speed, a downhill plane on the pitch, and 8-12 MPH decrease in velocity from the fastball.  It is important to recognize that as long as the pitch is down in the Go or 4 Zone, it will be a quality pitch.  It does not have to be on an inside or outside corner to be effective. 

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Breaking Ball

Posted on April 16, 2013 by Stephen Stemle | 0 comments

The Curveball Grip shown here is one of the most commonly used grips among professional pitchers. However, it is important to experiment with different grips that may work for you.  This particular grip has your middle finger and thumb with the majority of your total hand pressure. Your index finger should have little to no pressure on the ball with your thumb on the seam underneath.

Just before releasing the curveball, concentrate on pulling down on the top seam with the pressure of your middle finger while pushing up with the thumb on the bottom seam. This creates a higher percentage of top-spin, tilt, and depth on the ball for more vertical movement. The vertical movement you create will keep the ball off the plane of the bat and will look more enticing to hitters because the break stays on the plate instead of breaking sideways and off the plate.

As with all off speed pitches, it may take some time to get comfortable with the grip that works best for you.  Whichever grip you decide on, make sure you do not tip the hitters off by doing something like wiggling your glove while you secure your grip every time you throw an off-speed pitch.  As you move up the ranks in the game, hitters will pay closer attention to you movements and body language so they can get a better idea of what pitch is coming next.

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